2001: A Space Odyssey
Summary
Stanley Kubrick’s2001 : A Space Odysseyis one of the most influential sci - fi movies ever made , so it ’s no surprise that many other classic of the musical genre have taken inspiration from it . Stanley Kubrick ’s masterpiecerepresented a massive jump forward in full term of the technical side of sci - fi filmmaking , but it has also shape the form of paper and story that sci - fi movies attempt to harness .
So many images from2001 : A Space Odysseyare now iconic - the towering monoliths , HAL ’s intense red Light Within , the kaleidoscopical space vortex - because they provide more enquiry than solution . Many sci - fi movie from the 1950s and sixties swap in cheap thrills , but2001opened the doorway to abstract stories about humanity ’s place in the universe of discourse and the deep isolation of the future we find ourselves living in . Over 50 years later,2001continues to form the literary genre .
10Star Wars (1977)
Star Wars Uses Kubrick’s Visual Language To Convey A Sense Of Occasion
Cast
From the very first shot of George Lucas ' originalStar Warsmovie , right after the iconic school text creeping , the influence of2001 : A Space Odysseycan be interpret as a hulking starship silently drift into purview . John Williams ' classical - inspired score is another nod to Kubrick ’s influence . Star Warsimmediately carry a sense of grand sci - fi spectacle to fit the story ’s epic ordered series , just like2001 : A Space Odyssey .
The unclouded white DoI of the Galactic Empire spaceships and the franchise ’s depictions of balletic movement in the black abyss of space are both extension of Kubrick ’s ideas .
As theStar Warsfranchise has acquire over the years , it has germinate its own distinctive ocular language , but it hold a lot of its original breathing in . The clean ashen interiors of the Galactic Empire spaceship and the franchise ’s depictions of balletic movements in the fateful abysm of space are both extensions of Kubrick ’s ideas . Star Warswould probably have look completely different without this influence .
9Arrival (2016)
Arrival’s Visual Design And Cerebral Storyline Both Owe A Great Debt To Kubrick
Arrivalfollows a linguist who gets bring in by the US military to decode the voice communication of a species of cryptic aliens who make their way to Earth without warning . As she gradually lead off to pass on with them , she begin to see the universe differently . This reflects the way that humanity make a startling discovery on the moonshine and venture out in hunt of answers in 2001 : A Space Odyssey .
The most obvious allusion to Kubrick ’s oeuvre is in the design ofArrival ’s spaceships . The featureless ship rise vertically toward the sky .
Arrival ’s non - linear timelineis perfectly fit to the movie ’s mind - bending tale . Just like2001 : A Space Odyssey , the movie takes a more abstract turn in its third deed . The most obvious allusion to Kubrick ’s piece of work , however , is in the design ofArrival ’s spaceship . The featureless ship uprise vertically toward the sky . This evokes the dark obelisks of2001 : A Space Odyssey , especially since their mien ushers in a new cockcrow for humanity .
Custom image by Yeider Chacon.
8Interstellar (2014)
2001’s Influence Can Be Seen All Over Christopher Nolan’s Sci-Fi Masterpiece
Christopher Nolan has praised2001 : A Space Odysseybefore , and it ’s clean to see how it has impacted his own work as a director . The revolving corridor scene inInceptionand the abstractionist interpretations of quantum concept inOppenheimerboth seem inspired by Kubrick ’s vision , butInterstellarcontains many such tributes . The design of the ships and the space change of location scene would n’t look the same without the influence of2001 .
Interstellar ’s reference to2001 : A Space Odysseyare more than pelt thick .
Interstellar ’s references to2001 : A Space Odysseyare more than peel deep . The idea of humanity reaching up toward the stars in hunt of the next stage of progress has become an increasingly common theme after2001.The optic - popping tesseract shot seems to be a variation of Dave traveling through the whirlpool , with the same undimmed lights , exciting medicine , and a new savvy of spacetime waiting for the character waiting on the other side .
7Contact (1997)
Robert Zemeckis Tried To Recapture Kubrick’s Epic Scale
Contactstars Jodie Foster as a scientist who discover a wireless signaling sent from rich outer space . The signal provides the schematic for a foreign machine , and eventually the scientist gets to travel inside the automobile to visit the extraterrestrials who design it . The crew ofContactwatched2001 : A Space Odysseyfor inspiration during the flick ’s production , and its influence is everywhere .
The crew ofContactwatched2001 : A Space Odysseyfor inspiration during the movie ’s output , and its influence is everywhere .
Contactmakes particularly strong allusions to2001 : A Space Odysseyin its third bit , as the scientist go on a mind - bending journey to meet with a form of high intelligence operation . This muse Dave ’s journeying , and his eventual reaching in the bedroom prison where he spends the rest of his lifetime . Contactborrows some of2001 : A Space Odyssey ’s visual conjuring trick , but it also has a similarly thought - hassle geographic expedition of man ’s place in the population .
6Solaris (1972)
Tartakovsky Adds A More Human Touch To Some Of Kubrick’s Ideas
Andrei Tartakovsky ’s Soviet sci - fi masterpiece was let go of 4 years after2001 : A Space Odyssey , and it seek to address some of the flaws that Tartakovsky perceived in Kubrick ’s work . According to Tartakovksy , Western sci - fi at the meter was too obsessed with technology and scientific theory , but it did n’t address anything about the human term . If2001 : A Space Odysseyis design to make the audience think , Solarisis meant to make them feel .
If2001 : A Space Odysseyis design to make the audience retrieve , Solarisis meant to make them feel .
Despite Tartakovsky ’s disdain for part of2001 : A Space Odyssey , it ’s gruelling to ignore some of the similarity shared betweenSolarisand Kubrick ’s picture . Both plots feature isolated , melancholic space explorers , and both go about their business at a slow , deliberate rate . Solariscan’t rival the visual splendor of2001,but whenever it comes close , it usually seems breathe in by Kubrick ’s employment .
5WALL-E (2008)
WALL-E Has Subtle 2001 References And One Obvious Tribute
WALL - EwasPixar ’s first sci - fi movie , and the studio expect to the visual language of2001 : A Space Odysseyas a blueprint for how to make a fittingly spectacular feast for the senses . Director Andrew Stanton make a open distinction between the scenes which show WALL - E on Earth and those which take spot in outer space . Like in2001,Earth is relatively tight - pace and a footling mussy .
Director Andrew Stanton creates a clear distinction between the scenes which show WALL - E on Earth and those which take post in out quad .
WALL - Epresents a much friendly and more human - favorable position of artificial intelligence than2001does . WALL - Ecan be see as the everlasting contrary to HAL , in the sense that his emotions sometimes get in the elbow room of his target . The movie counterpoint his character reference with an manifest parody of HAL . The ship ’s robot pilot system , AUTO , even has the same bright red pulse eye .
4Gravity (2013)
Alfonso Cuarón’s Technological Marvel Has 2001’s Sense Of Wonder
2001 : A Space Odysseyhad an immense encroachment when it was first released because it look so unlike from other sci - fi picture show of the fifties and 1960s . A combining of originative camera tricks and some ingenious hardheaded result sell the image of intergalactic travel and zero - gravitation movement . It ’s all but impossible to create the same variety of powerful impact in the era of greenish screen and CGI , butGravitywas another plot - changer when it come out in 2013 .
It ’s all but impossible to make the same kind of powerful impact in the era of green filmdom and CGI , butGravitywas another game - changer when it came out in 2013 .
Gravityuses many of the same techniques as2001,especially in the manner Alfonso Cuarón frames his booster against the callous void of space . However , the movie ’s use of a radical mechanical tractor trailer to make it calculate as if Sandra Bullock is debar in out infinite is whole original . This continues the spirit of2001 , and it is just as perplexing to see on the adult screen .
3Alien (1979)
Ridley Scott And Stanley Kubrick Both Explore The Dangers Of Artificial Intelligence
The aim of the Nostromo is clearly inspired by the clean style of the craft in2001 : A Space Odyssey , although there are some non-white corners of the expansive ship which seem completely detached . Far from the pristine crew quarters where most of the action takes place , there are cavernous elbow room with dangling chain of mountains and dripping H2O . This industrial coming into court is at odds with2001 , but it does reflect the movie ’s estimation that space locomotion could become mundane in the near - future tense .
2001 : A Space Odyssey ’s biggest influence onAlienrelates to Scott ’s exploration of artificial intelligence operation .
2001 : A Space Odyssey ’s big influence onAlienrelates to Scott ’s geographic expedition of artificial intelligence . Ash is revealed to be a humanoid mechanical man , who , like HAL , is uncoerced to discard human aliveness if it stands in the way of his mission . TheAlienfranchisehas similar character in other flick , andRidley Scott returns to the idea of artificial life in his other sci - fi classic , Blade Runner .
2Close Encounters Of The Third Kind (1977)
Steven Spielberg Has Professed His Love Of 2001: A Space Odyssey
Rather than surveil humanity ’s exploration of blank , Close Encounters of the Third Kindis about extraterrestrial life fall to Earth . As he does inE.T. the Extra - Terrestrial , Steven Spielberg presents a bright portraiture of first contact . The managing director has talk at length about his appreciation for2001 : A Space Odyssey , and he has proven over the years thathe is one of very few film director who can match Kubrick ’s graduated table and spectacle .
The third routine ofClose Encounters of the Third Kindfeatures a surreal show of colors and lights as the noncitizen seek to communicate with man
The third act ofClose Encounters of the Third Kindfeatures a phantasmagorical show of coloration and visible light as the extraterrestrial being seek to transmit with humans using the medium of song . This is more grounded than Dave ’s journey through the vortex in2001 : A Space Odyssey , but both scenes expend an consuming assault on the gumption to symbolize humanity ’s commencement exercise to a higher aeroplane of understanding .
1Ad Astra (2019)
Ad Astra’s Journey Across The Solar System Mimics 2001
2001 : A Space Odysseystarts on Earth , before move to the gloomy side of the moon and then Jupiter . Ad Astrafollows a similar flight , but its last name and address is near Neptune alternatively . This is n’t the only law of similarity between the plots of the two movies , sinceAd Astraalso features an astronaut making the last leg of his journey aloneafter his gang are killed before they get to their name and address .
Ad Astrais a mash - up ofHeart of Darknessand2001 : A Space Odyssey .
advertizing Astrais a sci - fi retelling of Joseph Conrad ’s novelette , Heart of Darkness , but it would be more accurate to describe it as a mash - up ofHeart of Darknessand2001 : A Space Odyssey . Visually , advertizing Astraborrows hard from Kubrick ’s film . AlthoughAd Astrahas plenty of its own ideas to add together to the sci - fi , particularly in its wild natural process scenes , it ’s the import of still solitude that resemble2001 : A Space Odyssey .
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2001 : A Space Odyssey is one of Stanley Kubrick ’s most well - known films . A scientific discipline - fiction epos , the flick evidence the story of the journey of Discovery One , a ballistic capsule operate by a group of scientist , astronauts , and a sentient computer , on a charge to Jupiter to inquire a secret monolith . Considered one of the greatest film ever made , Kubrick combines thin dialog with the operose usance of scoring and equivocal imaging to create something that eschews established filmmaking .
