Star Trek: Deep Space Nine
Summary
Captain Sisko thespian Avery Brooks directed nine episodes ofStar Trek : Deep Space Ninethat include some ofDS9 ’s best hours of television , as well as one of its worst . ManyStar Trekactors took vantage of the chance to train as directors , and some headliner like Jonathan Frakes and Robert Duncan McNeill went on to prolific directorial careers subsequently . Avery Brooks was one of several members of theStar Trek : DS9castwho directed episode , and made his directorial debut with season 2 , instalment 25 , " Tribunal " .
AfterStar Trek : Deep Space Nine , Avery Brooks went on to direct a revival of Ntozake Shange’sBoogie Woogie Landscapes , which was give away at the John F. Kennedy Center for the Performing Arts and in London ’s West End . However , in terms of screen workplace , Brooks ' nine episodes ofDS9are his only directorial credit rating , which is telly and celluloid ’s loss , frankly . Avery Brooks ' good directorial efforts inDS9are define by unbelievable public presentation that display a raw world rarely seen inStar Trek . befittingly , Brooks directedCaptain Sisko ’s unspoilt episode ofDS9 , but he also brings out the good in many of hisDS9contemporaries .
René Auberjonois work with Hollywood director Robert Altman , do the Odo actor ’s directorial attempt on Star Trek : DS9 display Altman ’s influence ?

Star Trek: DS9, Season 3, Episode 10, “Fascination”
First Aired: November 28, 1994
Star Trek : Deep Space Nineseason 3 , episode 10 , " Fascination " is the worst of Avery Brooks ' directorial effort . A sojourn from Lwaxana Troi ( Majel Barrett ) during the Bajoran Gratitude Festival causes theDS9crew to give into surreptitious passions in a formulaicStar Treksex comedy . While Brooks ' direction gives everything a dynamic flourish , peculiarly the tracking shot through the Promenade , it ’s exculpated that comedy is n’t needs in his wheelhouse as a director . talk over " Fascination " in theStar Trek : Deep Space Nine Companion , Brooks said :
" I guess it was over the top . But what is over the top , after all ? If you ’re having a pint of Guinness and you see the foam pour over the top , you guess , ' That ’s great ! ' But in a television instalment , there ’s this concern about natural action being too big . It all comes down to rhythm , and whether a scene has it or not . "
The lack of rhythm is key to whyStar Trek : Deep Space Nineseason 3 , sequence 10 , " Fascination " does n’t work as a comedy . The levels of operation wildly vary across the plaster cast , meaning that the comedy often feels forced . That ’s not to say that it ’s completely without charm , as Brooks leave more latitude to DOP Jonathan West , which have in mind that there ’s more sparkle and color than usual . This light source and color congratulate the episode ’s comedic note , but it ’s hard to escape the fact that some of the performances are wildly over the top .

Star Trek : DS9 Stars That Directed installment
How Many Episodes
Avery Brooks

Star Trek: Deep Space Nine, also known as DS9, is the fourth series in the long-running Sci-Fi franchise, Star Trek. DS9 was created by Rick Berman and Michael Piller, and stars Avery Brooks, René Auberjonois, Terry Farrell, and Cirroc Lofton. This particular series follows a group of individuals in a space station near a planet called Bajor.
9
Rene Auberjonois
Michael Dorn

3
Alexander Siddig ( as Siddig El Fadil )
2

Andrew Robinson
1
Star Trek: DS9, Season 4, Episode 25, “Body Parts”
First Aired: June 10, 1996
Star Trek : Deep Space Nineseason 4 , installment 25 , " Body Parts " is a more successful comedy direct by Avery Brooks . One of thebestDS9episodes for Quark(Armin Shimerman ) , it ’s a pitch - black comedy about Ferengi dying ritual . When Quark believes he ’s dying , he sells his cadaver to his greatest rival , Liquidator Brunt ( Jeffrey Combs ) . alas for Quark , Brunt insists on honoring the mountain even when it turns out that Quark has a clean banker’s bill of health . Brooks handles the tonic shifts between the black funniness of the Quark plot and the emotional complexness of the fetus organ transplant storyline taking place elsewhere .
Keiko and Miles ' Word being transported into Kira ’s womb was written into " Body portion " to explain Nana Visitor ’s real - aliveness pregnancy .
Armin Shimerman singles out " Body Parts " as a crucialStar Trek : Deep Space Nineepisode for Quark , as it challenges his Ferengi beliefs . This moral dilemma at the heart of the dark Ferengi funniness sequence is what make " Body Parts " a more successful instalment than " Fascination " . There ’s a real thematic ponderousness to Quark ’s quandary that adds texture to the blackly comic assumption , a tonal tightrope that Avery Brooks confidently walk as the episode ’s director .

Screen Rant consultation Armin Shimerman about exercise with FanFair Signatures , Quark ’s comeback , and his Star Trek : Deep Space Nine bequest .
Star Trek: DS9, Season 3, Episode 6, “The Abandoned”
First Aired: October 31, 1994
Star Trek : Deep Space Nine , season 3 , sequence 6 , " The Abandoned " is a enthralling sequence for Constable Odo ( Rene Auberjonois ) . The episode ’s plot concerns a Jem’Hadar infant that can only be controlled by Odo . It ’s a compelling composition of drama about nature versus nurture that also add further layer to the Jem’Hadar and the Changelings as fresh introducedStar Trekaliens . The story of Odo ’s struggle to rehabilitate the vernal Jem’Hadar appealed to Avery Brooks , who saw the episode as a metaphor for gang finish :
" … for me , it was very much a history about untested browned men , and , to some extent , a tale about a guild that is creditworthy for the creation of a generation of untried hands who are feared , who are hook , who are potential killers . "
-Star Trek : Deep Space Nine Companion

time of year 3 is very early daytime in the story that would eventually lead toStar Trek : Deep Space Nine ’s Dominion War , and " The forsake " reveals just how powerful the Founders are . By revealing how impossible it is to break the genic computer programming of the Jem’Hadar , " The vacate " show that the specie will die for the Dominion Founders , making them an implacable enemy . Avery Brooks ' understanding of the episode ’s musical theme mean that his direction brings out the very best in both his actor and D. Thomas Maio & Steve Warnek ’s hand .
Star Trek: DS9, Season 7, Episode 24, “The Dogs of War”
First Aired: May 26, 1999
Avery Brooks ' largest obligation as a director onStar Trek : Deep Space Ninewas to place up the conclusion inDS9 ’s penultimate installment " The Dogs of War" . Star Trek : Deep Space Nineseason 7 , instalment 24 , " The Dogs of War " include some larger-than-life scrap sequences quite unlike anything in Avery Brooks ' other directorial efforts . However , there are also some tender character moments , and it completes the sub ’s journeying of Legate Damar ( Casey Biggs ) . Discussing the instalment in theDS9documentary , What We Left Behind , Casey Biggs shared some advice he get from his director when he was struggle with Damar ’s soliloquy :
" We ’re on the solidifying , and I go through [ it ] , and I fumble it a couple of times . Avery just look at me . He comes up and he say , ' Glide . Dig ? ' And he walk away . And I say , ' Okay , I get it , because it ’s soaring . You just , move your way through it . ' "
Avery Brooks has a lot of elements to beguile in " The Dogs of War " from bringing backDS9 ’s USS Defiantto making Rom ( Max Grodenchik ) into the Grand Nagus . As in " Body part " , Avery Brooks walks the tonic tightrope between Kira ’s fight for survival on Cardassia Prime and the lighter Ferengi plot line . The theatre director also utterly equilibrize theDS9ensemble , intend that an instalment with so many huge character moments never feels overstuff .

Star Trek : Deep Space Nine begin another USS Defiant after the first was destroy . Here are the reasons why the unexampled ship was n’t named Defiant - A.
Star Trek: DS9, Season 3, Episode 20, “Improbable Cause”
First Aired: April 24, 1995
Star Trek : Deep Space Nineseason 3 , episode 20 , " unlikely Cause " is a fine example of the show ’s ability to tell picture show noir - way mysteries . Constable Odo is tasked with inquire an onset onDS9 ’s Cardassian tailor Garak(Andrew Robinson ) , which reassert the audience ’s suspicions about the former spy . “Improbable Cause " is the first of a two - part episode , but was initially intended to be a standalone installment , hence Brooks only calculate part one .
It ’s not uncommon forStar Trekdirectors to only orchestrate one installment of a two - parter . For example , Jonathan Frakes directedDS9season 3 , episode 2 , " The Search , Part II " and time of year 3 , sequence 12 , " Past Tense , Part II "
" marvelous Cause " is a gripping thriller that showcases the darker smell thatStar Trek : Deep Space Nineexcels at . Avery Brooks really drills down into the central mystery , shooting a batch of his fiber in shadow and fog . The scene in which Odo meets his Cardassian witness is atmospherically directed by Brooks . The umbrageous Cardassian is positioned in iniquity above Odo , just out of sight , which adds to the enigmatic nature of their conversation .

Star Trek: DS9, Season 4, Episode 6, “Rejoined”
First Aired: October 30, 1995
Star Trek : Deep Space Nineseason 4 , episode 6 , " rejoin " was controversial on broadcast for its same - sex kiss between Lt . Commander Jadzia Dax and Lenara Kahn ( Suzanna Thompson).As the director of " Rejoined " , Avery Brooks was keen not to sensationalize the kiss , perhaps foreseeing the homophobic backlash . In fact , Brooks turn down to allowEntertainment Tonightto film the kiss between Dax and Lenara , tell in theStar Trek : Deep Space Nine Companionthat " People want to hype stuff like that , but I was n’t going to have it . " Later in the Scripture , Avery Brooks outlines his standpoint on the themes of the sequence :
" It was a narration about love , and the consequence of making choices out of love . The buss was irrelevant . "
WhileStar Trek : Deep Space Nineseason 4 , episode 6 , " come back " is by all odds about sexual love , it ’s also about the social taboo that can stand in the way . The furor over thekiss between Dax and Lenaracompletely missed the dot of the episode , and proved Avery Brooks was right not to " hype " it onEntertainment Tonight . Divorced from the overblown chemical reaction to the kiss , " Rejoined " is a lovesome and thoughtful love life story , beautifully directed by Avery Brooks , that gives Terry Farrell some of her safe fabric as Dax .

Gene Roddenberry drive for an LGBTQ+ couple to be included in an early installment of Star Trek : The Next genesis .
Star Trek: DS9, Season 5, Episode 19, “Ties of Blood and Water”
First Aired: April 14, 1997
" Ties of stemma and body of water " is one ofMajor Kira ’s best episodes ofStar Trek : DS9 , as it proceed her journey to reconcile the repugnance of the Cardassian Occupation of Bajor . The episode is a sequel toDS9season 3 , instalment 5 , " 2d cutis " , have the return of the Cardassian objector Tekeny Ghemor ( Lawrence Pressman ) . Despite being a Cardassian , Kira sees Ghemor as a complicated father figure , and " tie of Blood and piddle " force both characters to face their yesteryear . The episode feature a visually prominent montage succession , which Avery Brooks beautifully discover in theStar Trek : Deep Space Nine Companion .
" There is a hanging of time . sentence is kind of irrelevant . Each shot was , for me , like a portrait . I was very interested in creating portraits , in terms of composition and firing . Still portraits . Not photographs , but paintings . "
Star Trek : Deep Space Nineseason 5 , episode 19 , " Ties of parentage and pee " is an improbably powerful episode about family and bequest . The episode is a firm dearie of Major Kira actress Nana Visitor , and it ’s easy to see why , as it ’s a gripping quality study of her and her bias . Lawrence Pressman was full of kudos for Avery Brooks ' directorial style , highlighting how he gave him " a lot of courage"and pushed his performance in interesting directions . This comes across in the scenes between Pressman and Visitor , as both actor are clearly give it their all for their director .

Star Trek: DS9, Season 2, Episode 25, “Tribunal”
First Aired: June 5, 1994
Star Trek : Deep Space Nineseason 2 , episode 25 , " Tribunal " is both the first installment that Avery Brooks directed , andDS9 ’s first officialO’Brien Must Suffer episode . As a first movement , it ’s fall upon how Avery Brooks approaches the fabric with confidence . Brooks ' direction of the O’Brien scenes chillingly demonstrates the brutality of the Cardassian regime through harsh cut in the redaction and some close - ups on O’Brien ’s pained face . Avery Brooks ' confidence in his vision put him at betting odds with his adjunct manager , B.C. Cameron , who muse on their discrepancy inWhat We go out Behind :
" I articulate , ' It ’s kind of difficult sometimes , because I occur to require you motion and then you act like you do n’t want to say me thing , or that I ’m trouble you . ' And he said , ' I guess you do n’t understand my sense of humor . ' And I tell , ' To be true with you , sir , I ’m not certain you have one . ' And he kind of reared back his shoulder , turned around , a little half - grin come on his fount , and he enjoin , ' What is it you want to know ? ' "
TheStar Trek : Deep Space Nine Companionnotes that Avery Brooks revel directing both Colm Meaney and guest star Fritz Weaver , who both gave unbelievable performance in " Tribunal " . It ’s one of the standout episodes inDS9season 2 , and much of that is down to Avery Brooks ' direction of the torment scene and the parky Cardassian courtroom . “Tribunal " is an incredibly convinced entry which established Avery Brooks as a very visual film director with a bully understanding of writing and performance .
DS9 ’s Colm Meaney is one of the best actors to come along in Star Trek and these superb roles display the depths of the iconic Chief O’Brien star .
Star Trek: DS9, Season 6, Episode 13, “Far Beyond the Stars”
First Aired: February 11, 1998
Not only is " Far Beyond the maven " Avery Brooks ' masterpiece , it ’s also one of the verybest episode ofStar Trek : Deep Space Nine . Set principally in the fifties , " Far Beyond the Stars " isStar Trek ’s most overt and most powerful treatment of racism in the dealership ’s penny-pinching 60 - year chronicle . Avery Brooks was select to direct the sequence because it was felt that the chronicle had to be told from the perspective of someone with experience that the show ’s white theater director did n’t . Avery Brooks talk about why " Far Beyond the virtuoso " appeal to him inWhat We Left Behind " , saying :
" You know , because of the writing of it , because it talk about 1953 , because it talked about who we are or who we were , this idea of this dark-brown man , write this scientific discipline fiction , I thought that was incredibly clever , "
Over 30 age after Nichele Nichols debuted inStar Trek : The Original Series , " Far Beyond the Stars " look back on how things have changed in the intervening decade . However , it does n’t pull its punch in depicting the harsh realities of things that have n’t change . The delineation of police brutality , and the shooting of Jimmy ( Cirroc Lofton ) is visceral , and unlike anything seen inStar Trekbefore or since . On top of directing the sequence , Avery Brooks also had to lead the episode as both Captain Sisko and Benny Russell , turning in his most nuanced and emotionally unsanded performance .
An abandoned musical theme for theStar Trek : Deep Space Ninefinale would have revealed the entire show to be the brainchild of Benny Russell .
" Far Beyond the headliner " is Avery Brooks ' define achievement inStar Trek : Deep Space Nineas both actor and managing director . As an actor , Avery Brooks ' dual performances as both Sisko and Benny help to betray the mind that these are two completely different people , connect across the one C by the Bajoran Prophets . As a conductor , Brooks fork up a potent statement about the insidious nature of racism , and how far guild still has to go to extirpate it . Watching " Far Beyond the star " decades afterward reveals that it ’s suffer none of its world power , which is a damning indictment on the beau monde of today .
All installment of Star Trek : Deep Space Nine are uncommitted to stream on Paramount+ .
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Star Trek : Deep Space Nine , also get it on as DS9 , is the fourth serial in the long - melt Sci - Fi enfranchisement , Star Trek . DS9 was created by Rick Berman and Michael Piller , and stars Avery Brooks , René Auberjonois , Terry Farrell , and Cirroc Lofton . This particular serial publication follows a group of mortal in a quad station near a planet foretell Bajor .