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historied filmmakerStuart Gordonhas accumulated a rage following over the years , but not every movie he has directed can be categorize as horror . Gordon grew illustrious for his debut lineament filmRe - Animatorstarring popular horror actors Jeffrey Combs and Barbara Crampton , but every picture show Stuart Gordon has directed can be ranked by its craze status and freaky entertainment .
Stuart Gordon has directed for telecasting as well as film . In the early 2000s , he mastermind two episodes for the hail anthology horror seriesMasters of Horror , Dreams in the Witch - House , andThe Black Cat . The former is anadaptation of the H.P. Lovecraft little storyof the same name . Over time , Gordon became known for using Lovecraftian material for his undertaking , specially in his movies . The director has had a significant influence on cinema outside of the horror genre and is credited as the story creator for the family - well-disposed sci - fi motion-picture show seriesHoney I flinch The Kids .
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Unfortunately , Stuart Gordon passed away in March 2020 , with the 2007 thrillerStuckbeing the last feature film Gordon directed . Gordon allow for behind a lasting bequest as the man that elevate cult revulsion into the goldmine of cognitive content it is today . Lovecraftian movies were bit by bit popularized after the massive success ofRe - Animatorand its sequels , while Stuart Gordon’sHoney I Shrunk The Kidscharacters will be give for the sequel filmShrunk , which persist in pre - production , withrenowned actor Rick Moranisslated to repeat his role . Here ’s every flick Stuart Gordon directed ranked from worst to comfortably below .
13. Fortress (1992)
The sovereign sci - fi filmFortresstakes place in a dystopian future where the earth ’s universe is see to it by making maternity illegal , andFortress ' plot mall around a malcontent couple who break that law and are implant with an incarcerating explosive by the government . Financially , Fortresswas successful and even greenlit for a sequel but at the same time badly viewed by critics upon release . For an indie film , however , the production note value is admirable and comparatively expensive looking at , definingStuart Gordon ’s way of directingearly on in his line of work by exuding a tone of carefree ego - leniency . What the film miss in acting , pacing , and execution , it makes up for in entertainment . Fortressnot taking itself in earnest is once in a while a downside and drags the film ’s overall caliber down , but it also make it a play , if low - quality , romp .
12. Robot Jox (1990)
Robot Joxis a dystopian science fiction film about how warfare is spearhead by giant robotic machines in the distant future . Though an experienced sci - fi author wrote the film , Robot Joxcomes across as a run - of - the - mill dystopian story lack impactful activeness . The picture show ’s secure aspects are its locations , as the master photography was photograph in Rome , while an upside is that it also serves as the cinematic precursor of successfulmech sci - fi series likePacific RimorTransformers . Though it can be pleasurable for those invest in the genre , Stuart Gordon ’s off - screen feud with writer Joe Haldeman is apparent inRobot Jox ’s stilted dialogue and story .
11. Edmond (2005)
A repressed man , Edmond Burke , discovers from a fortune teller that he is not where he belong in life , encourage him to leave his wife and discover what he miss . The durability ofEdmondcomes when the plot focalize on the internal difference of opinion of its protagonist because the battle against his own pent-up fury results in more challenging textile than the high - chroma activity scenes . The film make generally favourable reviews upon liberation , though many critics praised only the performance ofFargoactor William H. Macy . Edmondis barren of Stuart Gordon ’s usual self - aware tone and flaky vibration , though there are slaphappy scenes sprinkled throughout the film . Overall , Edmondtranslates as an engaging thriller despite the issue it has with inconsistent pacing .
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10. Stuck (2007)
Stuart Gordon steps into the soil of black funniness for his last film , the 2007 thrillerStuck , which sees a PCP accidentally come to a dispossessed man with her car after a night of celebration before provide him to die . Stuckis based on a true story and can tilt too heavily on the uncomfortable details surrounding that tale than necessary , which sits jarringly alongside Stuart Gordon ’s brand of dark sense of humour that can be establish in near every panorama . Critical reception forStuck , however , was wonderful , and the photographic film gain aBollywood remake movie , but it still lost an enormous amount of money at the box berth . Nonetheless , Stuckmarks the remainder of an engaging generation of unique films from the creative mastermind Stuart Gordon .
9. King of the Ants (2003)
King of the Antsis one of the few Stuart Gordon - guide movies that does not let in Re - energizer actor Jeffrey Combs and view a house catamount find himself at state of war with a mathematical group of mobster after they double - cross him in a contractor ’s scam . Many critic see the neo - noir thriller as one of Gordon ’s best works sinceRe - Animator . Even with a low budget , the film is dedicated to its noir style and succeeds in combining various types of genre . Gordon proves inKing of the Antsthat he can seamlessly interweave freak movie factor into a more grounded story about one Isle of Man ’s putrescence , take a crap it a self-coloured plectron for Stuart Gordon and literary genre fans alike .
8. The Pit and the Pendulum (1991)
The Pit and the Pendulumis anadaptation of an Edgar Allen Poe storyof the same name . During the Spanish Inquisition in 1942 , the Grand Inquisitor Torquemada attempts to come in an innocent married woman of a bread maker in his torture bedroom . The only seeming downside to this atmospheric period composition from Stuart Gordon is its slow tempo - since the original Poe source material was not meant to extend on for an time of day and a half . Regardless , Stuart Gordon is in his component in this movie and creates not only holy terror with his practiced camerawork but beauty too . For the shock valueThe Pit and the Pendulumattempts to accomplish , it should have pitch more gore , yet it remains a faithful adjustment of Poe ’s work .
7. Space Truckers (1996)
Space Truckersis a sci - fi moving picture that follows the write up of John Canyon , a swashbuckling pilot of a cargo starship who hear he has been charter to transport a large number of killer robot to Earth . sport Dennis Hooper ( who stars in thecult classicTexas Chainsaw Massacre 2 ) , the moving-picture show bank on its star cast to make its sick environment vibrant and full of stress . While audience receipt forSpace Truckerswas positive upon release , especially in sci - fi motion-picture fan circles , it saw a substantial loss at the box office . Space Truckersremains one of Stuart Gordon ’s more ambitious directorial projects , however , and not just because of its big budget , as it challenges whim of the classical bomber ’s tale and even playfully mocks the sci - fi trope of technobabble .
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6. The Wonderful Ice Cream Suit (1998)
InThe Wonderful Ice Cream Suit , a group of five friends down on their lot decide to pool their money to corrupt a vivid white suit . They shortly see that the suit they ’re sharing comes with magical powers that seem to offer them their spunk ’s desires . Joe Mantegna ( David Rossi ofCriminal Minds ) joins a cast of exceptionally talented comedic worker whose idiosyncratic personality bound off each other perfectly . A fantasy comedy is a musical style far differentiate from Stuart Gordon ’s common projects , butThe Wonderful Ice Cream Suitproves he can shoot his personal style into any musical style . This photographic film was Gordon ’s first difference from sci - fi and repulsion , yet feels the film feels like it was made by a director know with comedic timing and concepts .
5. Dolls (1987)
Dollsis a 1987 horror plastic film that centers around a group of six masses who get stranded in a storm and are forced to slumber over in the mansion of a mysterious puppeteer . The reviews forDollswere generally just at the time of its release , butcritic Roger Ebert famously criticizedStuart Gordon for not taking full advantage of the plot ’s potential . “The haunted home reckon magnificent , but so what , if it ’s not haunt by nifty and frightening creatures?"(viaRoger Ebert ) . The pose figure and budget forDollsare dramatically increased from Gordon ’s former projects , making the film visually appeal . However , Dolls ' visuals do n’t fix the fact that the film feels restrained , making this movie rank a pass lower than the remaining Stuart Gordon classic below .
4. Castle Freak (1995)
Castle Freakis a 1995 verbatim - to - video revulsion film that has performances , camerawork , and output value far beyond its comparatively small budget . The plot follows a couple with a forced spousal relationship and their blind girl who inherit a castling , where a strange demon lurks in the cellar and kills whoever crosses its route . Castle Freakinspired a sequel in 2020 , which did n’t do as well critically as its precursor . The spell inCastle Freak , however , come from the brilliant performances of Barbara Crampton and Jeffrey Combs , who worked with Stuart Gordon several times prior . Gordon clearly excels at monster motion-picture show , and Castle Freak has truly hone his slyness , mean this grim - budget yetpoignant organic structure horror strikes a arrant residual with its narrative drama and grisly scares .
3. Dagon (2001)
Dagonsees Paul Marsh gets into a wreck with his friends , and they must need for helper around the town they ’ve been stranded near , though the town are funnily fish - like and antagonistic . H.P. Lovecraft ’s Cthulhu mythosis ingrained in every scene ofDagon , which make for to the flick ’s benefit since its creature , practical effect , and coiffe design make it an overweening experience . There are glaring moments of poor quality CGI inDagonthat risk undermining Stuart Gordon ’s work here , but these can be mostly ignored thanks toDagon ’s visual dedication to Lovecraftian traditional knowledge .
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2. From Beyond (1986)
If any title can be consider as the most quintessential film in the body horror subgenre , From Beyondwould be it . From Beyondcenters on a scientist who invents a machine that provide other dimension to cross with his own - leading to virulent consequences . Stuart Gordon ’s work in revamp up the disgusting fluidity of organic structure from another dimension seduce this movie a memorable classic as well as a jubilation of practical effects , whileJeffrey Combs deliver a passionate performancethat rivals his own inRe - vitaliser . From Beyond’shypersexuality and Lovecraftian generator material work in tandem to make an iconic and modernised cinematic experience of weird fable that remain almost unrivaled to this twenty-four hours .
1. Re-Animator (1985)
Re - Animatoris a repugnance film based on an H.P. Lovecraft short tale and asterisk Jeffrey Combs in his breakout role as Herbert West - a aesculapian scholarly person who discover the remedy for brain death but has n’t control the serum to preclude it from creating tearing zombies . Bruce Abbott play his insubordinate roomy and fellow worker , who gets wrapped up in the fatal import of West ’s unethical experiments . Abbott and Combs ' volatile alchemy is what elevates this motion-picture show from anoffshoot of aFrankensteinadaptationinto a more relatable and refashioned character - drive account . It is an undeniable classic for secure ground and remains not only one of the best H.P. Lovecraft adaptations to date , but also directorStuart Gordon ’s sound movie .
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