The Last Of Us
During the development of 2013’sThe Last of Us , creators Neil Druckmann and Bruce Straley start out compiling a list of music that fit the mood of what they were go for . When it come clip to find a composer to fetch the euphony of their bare world to life , they realized many of the tracks they ’d compiled were by Academy Award - winning composer , Gustavo Santaolalla .
Naturally , they turned to the Argentine musician , who went on to create the stunningly beautiful soundtrack fill with songs of personnel casualty , hope , and beauty . Fans are no doubt eager to try how he adapt his music for the coming HBO series , and here are some of the moments and gibe songs we hope to discover .
The Title Sequence - “The Last Of Us”
The main title theme is almost certain to make an appearance in some fashion and here ’s hoping that it sets the tone as in effect for the serial publication as it does the game . First hear over the title of respect credits in the first game , the intriguing subject tantalize the sense of discovery that is in store for the player .
Santaolalla has recorded numerous versions of this theme let in a bare - down version forThe Last of Us Part II , perhaps anticipate thehorrific here and now to come . While it remains unknown how his music will translate to survive - action , this iconic track should remain over the chief titles .
The Flashbacks - “Allowed To Be Happy”
At the heart ofThe Last of Us Part IIis the motion of how far one would go to make matter correct - to have some semblance of happiness again . As such , this song plays against the themes discover throughoutEllie and Abby ’s present and flashback chapter : are they even allowed to be happy ? Or are they destined to plainly iterate their cycles of violence over and over again ?
The main storyline leave this train of thought slightly equivocal , hinting that both women have learned that happiness ca n’t be play back , and certainly not by revenge . The video series could very well play with this concept further , exploring what it means to feel happy when everything around you may be destruct outright .
Seasonal Changes - “All Gone (Seasons)”
This luminousness and airy track is the first thing gamers hear upon starting upThe Last of Us , as leaf blow through an open windowpane in the game ’s primary menu . It is by and by try during breaks in the narrative as the time of year shift .
The song ’s rubric and emplacement represent the cyclic balance of nature , reminding players that no matter what , the character will face up challenges as unstoppable as the changing of time of year . It also demonstrates the revolving nature of emotion , as scandalous moments likeSam and Henry ’s deathsand Joel ’s near - fatal fall are stick to with lively imagery of rainfall , river , and herds of beast . The occasional nature of television would naturally appropriate for tale shifts like these to happen and they could again utilize this musical cue as a transitional piece .
Ellie & Riley - “Fleeting” & “Left Behind (Together)”
In the DLC game , pass on Behind , Ellie ’s relationship with her best supporter Riley is flush out in flashback as the rebellious twain explore an previous mall in Boston . What makes this portion of the game so special is finally getting to see Ellie act and feel like a fry for the first metre .
The musical tracks " Fleeting " and " Left Behind ( Together ) " perfectly get the sensation of playfulness and camaraderie the girls exhibit while ride on a whirligig and enjoin jocularity . In line to the more tragical music feature in so much of the rest of the story , these songs offer the rare sense of hope and normalcy in a world that lacks both .
“Take On Me”
One of the recur themes inThe Last of Us Part IIis stupefy the chance to strum the guitar along with Ellie and Joel . While explore the ruination of a long - abandoned Seattle music shop , Ellie pop spread a guitar case and start out serenade her married person Dina with this iconic A - ha tune .
This rare , real - world song feel oddly at home plate in this creation . The beautiful acoustic and outspoken arrangements convey the painful longing Ellie feel . Its inclusion in the show would serve connect to these base yarn and could also provideHBO - alumnus Bella Ramseya find to show more of Ellie ’s esthetic side .
The Ambiguous Ending - “The Path”
What makesThe Last of Usso alone and memorable is how , in the end , role player just do n’t know how to feel . Joel ’s option to save Ellie ’s animation over allowing her to be sacrifice for a vaccinum is unquestionably selfish . However , the bond gamers feel with them leading to that item is definitely enough to make one at least more or less empathetic to Joel ’s actions .
Appropriately , Santaolalla ’s rail " The Path " plays over the ending credits , check off the end of our journey . It bear similar emotions to that at the ending of a Western , where the hero(s ) are will aweary and worn - down . Ellie ’s entire worldview and purpose have been thrown into upheaval , and after hearing Joel swear that he ’s telling her the truth , she give an oh - so - staring ambiguous " okay " in reception .
Riding Horses - “Unbroken”
OpeningThe Last of Us Part II ’s storyline is this obsess track , see after Joel re - tell the closing of the previous game ’s events to his brother Tommy . Tommy anticipate to keep Joel ’s secret and both man bait on horseback through the oddment of an sometime neighborhood leading into the beautiful woods of Wyoming .
The running accompanies the gamer as we become re - acclimated to this tragic earth . The thought of therecently - cast Pedro Pascalriding on horseback through a sunset in the mint while this birdsong plays underneath is enough to whet any fans ' appetite for the approaching serial publication .
Ellie’s Innocence - “Vanishing Grace (Childhood)”
animal play a rather symbolic office inThe Last of Us ' existence , allow the characters to chew over on the beauty that nature is still capable of providing . They also bring out the innocence of the younger characters like Ellie and nowhere is this well exhibited than in the giraffe succession .
Sarah’s Death - “All Gone (Aftermath)”
There are multiple versions of the song " All Gone " that are pepper throughout each biz , but none arrive at quite as hard as " Aftermath . " Only minutes into the master story , we ’re suddenly take up by theunforgiving menace this world containsas the melancholy path trifle during Sarah ’s death .
Considering Sarah ’s grandness to Joel ’s bow , the HBO series would do well to translatethe opening sequence with trivial alterations , and there ’s just no style to portray her death easily than a magnetic declination of this strain . It captures the rue of red ink beautifully while reminding us that there ’s still so much story left to tell .
Joel’s Choice - “The Choice”
Upon learning that Joel was going to drop her with Tommy and leave , Ellie runs away to a nearby spread house . After Joel tracks her down , Ellie confront him about empty her and even challenges his reverence of losing her like he did Sarah .
This moment change everything , with Joel realizing not only how important he is to Ellie , but also how empty he ’d sense without her . After the trey rides back to Tommy ’s settlement , Joel storm them both by announcing he ’ll continue on the journeying he started with Ellie . Appropriately , the Sung dynasty " The Choice " plays underneath , its presentiment chords offer up the sense that , just like anything else in this parole , the outcome could either be hopeful or catastrophic .
NEXT : HBO ’s The Last Of Us : Why It ’s absolutely Cast ( & Better Alternatives )
