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Summary
For decades , Mel Brooks ' parody flick have have some uproarious scenes . Brooks has the impressive ability to train right at the warmness of his mark . Whether he direct his satiric eye at Westerns , sci - fi movies , or even fascism , he always receive the funniest and most poignant slant . His comedy relies on slapstick , puns and the odd musical turn , but most of the humour come from the truth that he uncovers beneath layer of Hollywood artifice .
Thebest Mel Brooks moviesretain a smashing focus on their subjects , likeSpaceballsandBlazing Saddles , but Brooks can also conjure great clowning out of thin air . He has an ear for naturalistic dialogue and one - liners , so he can throw in a curveball every now and then to keep the hearing on their toe . The funniest Mel Brooks scenes immix his satirical brainpower with this natural flair for relatable comedy .
Mel Brooks is one of the most popular comedy filmmakers of all time , and his movies are overrun with memorable one - liner and screaming dialogue .
10Along Came Bialy
The Producers (2005)
The 1967 rendering ofThe Producerswas Mel Brooks ' entry lineament , and a amazingly big smash . He later turned it into a Broadway musical , which in turn was adapted into another movie . This makesThe Producersa rare exemplar of amusical remaking of a movie , and the added show tunes offer enough more laughs . " Along Came Bialy " is just one of many screaming songs that make up the soundtrack .
" Along Came Bialy " is just one of many hilarious Song that make up the soundtrack .
" Opening Night " kicks things off in the good way possible , and " I Wanna Be A Producer " gives Matthew Broderick a chance to smooth , but Nathan Lane has arguably the funniest Sung dynasty inThe Producerswith " Along Came Bialy " . The original movie does n’t spell out how absurd it is thatMax and Leo ’s design hinge on Max ’s ability to seduce lashings of former women . With a chorus line of women knock dance in their walking chassis , the remake eventually capitalizes on the comedic premise .
9John Hurt’s Cameo
Spaceballs (1987)
Cast
Spaceballsis a brilliant potpourri ofStar Wars , but it also propose a few barbs at other authoritative sci - fi movies . In one of the movie ’s most memorable scenes , John Hurt is squeeze to repeat what happened to his character in Ridley Scott’sAlien , as a chestburster erupts out of him during an ordinary scene in a dining compartment . Hurt is only in one conniption , but he gets one of thebest quotes in Spaceballs- " Oh no , not again . "
Hurt is only in one tantrum , but he have one of thebest quotation inSpaceballs- " Oh no , not again . "
This citation provides a liaison toAlienby bizarrely propose that Hurt ’s character managed to survive the first clip that an alien separate through his costa batting cage and scamper off . Mel Brooks then takes a needlelike turn from burlesque toward straight-out nonsense , as the alien put on a straw chapeau to sing a show tune just like Michigan Q. Frog . The reason for this are unclear , but it perfectly undersell the tensity and horror of the scene .
8The Fight Spills Over Into The Studio Lot
Blazing Saddles (1974)
Mel Brooks sleep together to break the 4th wall . He want to share some laugh with his hearing , and it helps his style of parody for him to poke playfulness at the artificiality of the filmmaking process . The ending ofBlazing Saddlesdelivers one of Brooks ' most sustained and most hilarious fourth paries breaking , as the climactic combat scene breaks free from the confines of the movie and spills over into the studio backlot .
Brooks uses the humble pick Proto-Indo European , a arm of choice for clown everywhere , to show just how freakish the Western genre is .
The fight initially rumbles into a Fred Astaire - flair musical on the next stack , but it proceed grow and moving until it devolves into a giant cream pie conflict . Brooks uses the humble cream Proto-Indo European , a weapon of choice for clowns everywhere , to show just how bizarre the westerly genre is . Blazing Saddlesrepeatedly pull attention to the fact that westerly sensation are see as tough rodeo rider , but in realness they are nothing more than pampered Hollywood actors . They have more in usual with clowns than gunslingers .
Custom Image by Yailin Chacon
7Puttin' On The Ritz
Young Frankenstein (1974)
Young Frankensteinis a vivid horror spoof that constantly apply humor to deconstruct the bastard tension of the musical style . There ’s a lot of build - up to Frankenstein ’s instauration of the monster , and once he rises from the laboratory table it ’s a enigma how things will play out next . Rather than puzzle to the dark-skinned story of Mary Shelley ’s novel , Mel Brooks has his translation of Frankenstein presenting the monster to the scientific residential area with a Sung dynasty and dancing .
" Puttin ' on the Ritz"is the perfect song selection for the scene , and the room that Peter Boyle ’s screech it out has made it one ofYoung Frankenstein ’s best citation .
" Puttin ' on the Ritz"is the arrant song selection for the prospect , and the way that Peter Boyle ’s shrieking it out has made it one ofYoung Frankenstein ’s good quotation mark . The other affair that help the tantrum shine is the disconnection between the placid performance of Frankenstein and the shambling mess of his monster . Frankenstein escalates very quick from simple command to a lively melodious number , and the goliath simply ca n’t keep up .
6The Last Supper
History of the World, Part I (1981)
Like almost any drollery anthology movie , History of the World , Part Isuffers from an mismatched stride and a few girl to go with the striking . However , the sections that mould well are hard to resist , as the concept of the movie gives Mel Brook to lampoon the intact span of human history . One of the highlighting features Brooks himself play a pushy server at the last supper who just want the disciples to harmonise on their order .
distinctive of Brooks ' style , this scene use naturalistic dialog and relatable , everyday humor to make brightness of things which many people assign huge importance to .
Typical of Brooks ' style , this scene use realistic dialogue and relatable , everyday humour to make light of matter which many people assign Brobdingnagian importance to . After a muddled back - and - Forth River between Brooks and Jesus , Leonardo da Vinci enters to paint his famous portrait of the social function . Again , Brooks likens the historic to the contemporary , as the disciples are coerce to squeeze into an unnatural position like a group vex for a photo .
5The Bridge Fight
Robin Hood: Men in Tights (1993)
Rather than skewer intact genre like some of his other movies , Mel Brooks usesRobin Hood : man in Tightsto zero in on Kevin Costner ’s 1991 movieRobin Hood : Prince of Thieves . There are some jokes aimed at adventure movies and gothic romanticism fib , but Costner himself is forced to cop a lot of gags . One of the funniest scenes in the film gets a laugh out of the absurd ideals of chivalry and honor that survive in Robin Hood and similar folk stories .
One hilarious soupcon is that the music steps up an octave each time the sticks go down a sizing .
Robin fights Little John for the right wing to pass along a tiny bridge over a ridiculous brook . The full scene is redolent of Arthur ’s affaire d’honneur with the Black Knight inMonty Python and the Holy Grail , but Brooks has his own thought . Their dueling stick repeatedly snap into smaller and pocket-sized composition , to emphasize how petty and childish their squabble is . One hilarious sense of touch is that the music steps up an octave each time the stick go down a sizing .
4The Spaceballs Watch The Movie
Spaceballstakes Mel Brooks ' preference for breaking the quaternary wall to a new and hilarious level , as the characters in the pic watch the film to figure out what their adversaries are up to . They must fast - forward through the part that have already occur , but they go too far and touch the accurate instant of the pic that they are presently in . Rick Moranis ' perplexed expressions make the meta joke even funnier .
Lord Dark Helmet and Colonel Sandurz have a mind - deflect conversation about where and when exactly they are , underlining just how footling good sense this tale stunt makes .
Lord Dark Helmet and Colonel Sandurz have a mind - bending conversation about where and when exactly they are , underlining just how minuscule horse sense this tale stunt makes . After almost 40 long time , Spaceballsis finally get under one’s skin a sequel , presumably to pound playfulness at the Disney epoch of theStar Warsfranchise . Rick Moranis has retired from acting and Mel Brooks wo n’t be in the managing director ’s president , so the sequel face up an uphill battle .
3The Monster Meets A Blind Man
Gene Wilder and Mel Brooks ' collaborationmay have reached its crest withYoung Frankenstein . Wilder is perfectly suited to the quality of the egotistical scientist , but this does n’t stop other characters from steal a few shot . One of the best panorama inYoung Frankensteindoesn’t feature Wilder at all , as the monster break away and suffer a tolerant unsighted man , play by Gene Hackman in a surprising cameo .
The laugh are all fairly straightforward in the devil ’s meeting with Harold , but the dynamic between the easy host and his brute , ignorant guest is still a pleasure to watch .
The prank are all fairly straightforward in the monster ’s meeting with Harold , but the dynamic between the gentle host and his beastly , unlearned guest is still a joy to watch . It help thatHackman commits wholeheartedly to the role with all the sincerity of his spectacular performances . This heightens the cartoonish reactions of the demon when Harold smashes his drinking cup and quick coiffure him on fire .
2Sheriff Bart Holds Himself Hostage
Sheriff Bart ’s arrival is easily the funniest scene inBlazing Saddles , even before he is forced to take himself hostage . When he first rid into town , the welcome procession turns into a stunned silence when the citizenry see the skin colour of their novel sheriff . As a way of breaking the quiet , the townsfolk draw their various weapons and point them at Bart . His escape design makes no common sense whatsoever , but that ’s what makes it so singular .
As soon as Bart create enough distance to drop the travesty , he breaks the fourth paries to marvel at just how stupid the townsfolk are .
Bart commit to his theatrical role as both a hostage and a antiblack kidnapper . The town have no idea what to do except submit to his strange need . Logically , they should call his bluff , if it can even be considered a bluff , but logic does not prevail in the town of Rock Ridge . As soon as Bart create enough length to drop the charade , he breaks the fourth rampart to wonder at just how stupid the townspeople are .
1Springtime For Hitler
The Producers (1967)
Mel Brooks was forced to renameThe Producers . His original title of respect was " Springtime For Hitler , " which is the title of the musical that Max and Leo put on , and the rubric of the lavish opening night number . After all the build - up of Max and Leo ’s scheming , the first song in their offensive musical comedy is the sodding punchline to the entire movie . What ’s impressive is that Brooks does n’t stop there , and he keeps on adding to the joke with a refrain line of German stereotype and militaristic imagery .
It can be seen as a flaky satirization of how Germany was swept up by the appeal of fascism , or as a joke about how hollow and vapid some Broadway musicals are .
The product note value on " Springtime For Hitler " is beautiful to lay eyes on . Although the musical comedy is in ridiculously bad taste , it ’s an undeniably catchy tune , and an enjoyable spectacle to boot . This view works so well because it has so many layers . It can be seen as a bizarre satirization of how Germany was brush up by the appeal of fascism , or as a joke about how hollow and vapid some Broadway musicals are . In both sheath , the joke is about how masses will relieve anything for good entertainment .
